Marcie Miller Gross
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Marcie Miller Gross
Biography
Born: Kansas City, Kansas
Resides: Kansas City, Missouri
Marcie Miller Gross is an artist based in Kansas City since receiving a Master of Fine Arts from Cranbrook Academy of Art in 1990. She has held teaching appointments at the Kansas City Art Institute and University of Kansas. Her work is represented by Haw Contemporary; Kansas City, Missouri.
Recently her work has been exhibited in Working Parts, Haw Contemporary; Kansas City (solo), Sum of Us, Bemis Center for Contemporary Art; Omaha, The Spring Show (Forarsudstillingen); Kunsthal Charlottenborg, Copenhagen. Miller Gross was an Individual Award Finalist in Women to Watch, at the Kansas City Jewish Museum of Contemporary Art/National Museum of Women in the Arts, Overland Park and exhibited in Kansas City Flatfiles 2014 & 2012, H & R Block Artspace, Kansas City. Other exhibition venues include the Cranbrook Art Museum, Dolphin Gallery, Urban Culture Project/Paragraph, Byron Cohen Gallery, and Kemper Museum of Contemporary Art, Kansas City. She has received honors that include the Charlotte Street Foundation Fellowship, Mid America Arts/National Endowment for the Arts, ArtsKC Inspiration Grant, Studios Inc. Residency 2005-2011 from the Nicholson Foundation, and Allied Arts and Craftsmanship Award, American Institute of Architects.
Her work has received critical attention and reviews in Art in America, Sculpture, Art Papers Review, ID Magazine, Kansas City Star, Politiken, and Kunstforum with recent publications including Marking 20 Years, Kemper Museum of Contemporary Art, Outpost Journal: Kansas City, MO and 10/Charlotte Street Foundation 10th Anniversary. Marcie Miller Gross has work included in private collections in New York City, Seattle, Los Angeles, Detroit and Kansas City.
Resides: Kansas City, Missouri
Marcie Miller Gross is an artist based in Kansas City since receiving a Master of Fine Arts from Cranbrook Academy of Art in 1990. She has held teaching appointments at the Kansas City Art Institute and University of Kansas. Her work is represented by Haw Contemporary; Kansas City, Missouri.
Recently her work has been exhibited in Working Parts, Haw Contemporary; Kansas City (solo), Sum of Us, Bemis Center for Contemporary Art; Omaha, The Spring Show (Forarsudstillingen); Kunsthal Charlottenborg, Copenhagen. Miller Gross was an Individual Award Finalist in Women to Watch, at the Kansas City Jewish Museum of Contemporary Art/National Museum of Women in the Arts, Overland Park and exhibited in Kansas City Flatfiles 2014 & 2012, H & R Block Artspace, Kansas City. Other exhibition venues include the Cranbrook Art Museum, Dolphin Gallery, Urban Culture Project/Paragraph, Byron Cohen Gallery, and Kemper Museum of Contemporary Art, Kansas City. She has received honors that include the Charlotte Street Foundation Fellowship, Mid America Arts/National Endowment for the Arts, ArtsKC Inspiration Grant, Studios Inc. Residency 2005-2011 from the Nicholson Foundation, and Allied Arts and Craftsmanship Award, American Institute of Architects.
Her work has received critical attention and reviews in Art in America, Sculpture, Art Papers Review, ID Magazine, Kansas City Star, Politiken, and Kunstforum with recent publications including Marking 20 Years, Kemper Museum of Contemporary Art, Outpost Journal: Kansas City, MO and 10/Charlotte Street Foundation 10th Anniversary. Marcie Miller Gross has work included in private collections in New York City, Seattle, Los Angeles, Detroit and Kansas City.
Artist Statement
Orange (split), 2014
“Through an incremental means of building with utilitarian materials, industrial felt, wood, paper towels, felted wool sweaters, I make sculpture, installations and drawings that study mass, void, density and weight, compression and release. Within these qualities, I find parallels in the physical and psychological states of the body, sensory knowledge and the human condition. Orange (split) further explores my fascination with the relationship of materiality and elemental, abstract form in both object and image. With the accumulative layers of marks and line, I study these qualities and the potent saturation and physicality of color.”
– Marcie Miller Gross –
“Through an incremental means of building with utilitarian materials, industrial felt, wood, paper towels, felted wool sweaters, I make sculpture, installations and drawings that study mass, void, density and weight, compression and release. Within these qualities, I find parallels in the physical and psychological states of the body, sensory knowledge and the human condition. Orange (split) further explores my fascination with the relationship of materiality and elemental, abstract form in both object and image. With the accumulative layers of marks and line, I study these qualities and the potent saturation and physicality of color.”
– Marcie Miller Gross –